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The Key to the Brontë Works

Note 45 — Chapter VIII

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Mr. Rochester's remarks in Jane Eyre, Chapter XII., on Jane's drawings would seem to show that though M. Héger, the original of this character, was interested in Charlotte Brontë's gift as an artist (and we know she sent M. Héger a drawing of hers as late as August 1845), he spoke of them in disparagement—a fact that alone argues he was her superior in art, and understood drawing. Indeed, after seeing the various water-colour and other drawings of Charlotte Brontë, some thirty of which, including "a pencil drawing of Louis Philippe of France, drawn by C. Brontë during her stay in Brussels," are numbered with the Brontë relics, I may say we can take it as really the expression of M. Héger concerning her sketches when Mr. Rochester observes of Jane's efforts in drawing:—"You have secured the shadow of your thought, but no more probably. You had not enough of the artist's skill and science to give it being," for this is the truth concerning Charlotte Brontë's efforts of the kind. Nevertheless, I find evidence of a Brussels tradition in the eighteen-fifties that she was clever as a painter, M. Sue giving ability to his Miss Mary in this direction. It is more emphasized in his feuilleton than volume portrayal of this "Institutrice," both of which works we shall see presented phases of Miss Brontë as she was known. Hence we read, "Eh bien! monsieur, trouvez-vous qu'elle sait un peu dessiner, MA Miss Mary?" The italics, etc., are M. Sue's.

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