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The Kathá Sarit Ságara

Note 9 — Chapter LXXI

C. H. (Charles Henry) Tawney translation

“I thought to myself, ‘If I declare the matter openly, she will know that I am scheming, so I will let the princess know it by means of an artifice.’ So I persuaded a handsome fellow, who was an intimate friend of mine, to come near the palace, and pretend to be mad, and I arranged with him beforehand how he was to behave. Now he was seen a long way off by the princes, as he was roaming about singing and dancing, and they had him brought into their presence to make game of him. Then Hansávalí saw him, and had him brought by way of a joke into her bower, and, when he saw the picture of you, which I had painted there, he began to praise you, saying, ‘I am fortunate in beholding this Kamalákara, who is, like Vishṇu, an endless store of virtues, with his hand marked with the lotus and conch, the object of the favour of the goddess of Fortune.’ When the princess heard him singing such songs, as he danced, she said to me, ‘What does this fellow mean? Who is it that you have painted here?’ When she asked me this persistently, I said, ‘This mad fellow must have previously seen this prince, whom I have painted here out of regard for his beauty.’ And then I told her your name, and described to her your good qualities. Then the young tree of passion grew up in the heart of Hansávalí, which was irrigated by the overflowing streams of gushing love for you. Then the king her father came and saw what was going on, and in wrath had the pretended madman, who was dancing, and myself, both turned out of doors. After that she pined away day by day with longing, and was reduced to such a state that, like a streak of the moon during the wane, she had only her beauty left. And on the pretence of illness she went to a temple of Vishṇu that dispels calamity, and so managed to live a solitary life by the permission of her father. And being unable to sleep, owing to thinking on you, she could not endure the cruel moonlight, and remained there ignorant of the changes of day and night. Then she saw me one day from a window, as I was entering there, and she summoned me, and honoured me respectfully with dresses and ornaments.9 And then I went out, and saw this stanza which I have repeated to you written on the border of a garment that she had given me: hear it again; ‘Where can the row of swans obtain satisfaction, until it reaches the lotus-bed, round which sings a host of many noisy birds delighted at obtaining the lotus-flower.’ And when I read it, I knew for certain how she felt towards you, and I came here to inform you and recited the stanza in your presence, and here is the garment on which she wrote the stanza.” When Kamalákara heard the speech of the bard, and saw the stanza, he joyed exceedingly, thinking on Hansávalí, who had entered his heart, he knew not whether by eye or ear.

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