Note 5 — Chapter LXXI
C. H. (Charles Henry) Tawney translation
In the city of Kośala there was a king, named Vimalákara, and he had a son named Kamalákara, who was made by the Creator admirable in respect of the qualities of courage, beauty and generosity, as if to outdo Skanda, Kandarpa, and the wishing-tree of heaven. Then one day a bard, whom he had known before, came and recited a certain stanza in the presence of that prince, who deserved to be praised by bards in all the regions of the world. “Where can the row of swans5 obtain satisfaction, until it reaches the lotus-bed,6 round which sings a host of many noisy birds7 delighted at obtaining the lotus-flower8?” When the bard, named Manorathasiddhi, had frequently recited this stanza, prince Kamalákara questioned him, and he said to him: “Prince, as I was roaming about, I reached the city of king Meghamálin, named Vidiśá, the pleasure-ground of the goddess of prosperity. There I was staying in the house of a professor of singing, named Dardura, and one day he happened to say to me, ‘To-morrow the daughter of the king, named Hansávalí, will exhibit in his presence her skill in dancing, which she has lately been taught.’ When I heard that, I was filled with curiosity, and managed to enter the king’s palace with him the following day, and went into the dancing-hall. There I saw the slender-waisted princess Hansávalí dancing before her father, to the music of a great tabor, looking like a creeper of the tree of Love agitated by the wind of youth, shaking her ornaments like flowers, curving her hand like a shoot. Then I thought, ‘There is no one fitted to be the husband of this fawn-eyed one, except the prince Kamalákara; so, if she, being such, is not joined to him, why has the god of love taken the trouble of stringing his bow of flowers thus fruitlessly? So I will adopt some expedient in this matter.’ Thus minded I went, after I had seen the spectacle, to the door of the king’s court, and I put up a notice with this inscription on it; ‘If there is any painter here, who is a match for me, let him paint a picture.’ When no one else dared to tear it down, the king coming to hear of it, appointed me to paint his daughter’s bower. Then I painted you and your servants, prince Kamalákara, on the wall of the bower of that Hansávalí.