Note 223 — KĀDAMBARĪ.

(278) ‘“‘I worshipped the pictures of Çiva, attended by Bṛingiriṭi, which were carved on the rocks of the bank by Pārvatī when she came down to bathe, and which had the reverential attendance of ascetics portrayed by the thin footprints left in the dust. “How beautiful!” I cried, “is this bower of creepers, with its clusters of flowers of which the bees’ weight has broken the centre and bowed the filaments; this mango is fully in flower, and the honey pours through the holes in the stalks of its buds, which the cuckoo’s sharp claws have pierced; how cool this sandal avenue, which the serpents, terrified at the murmur of hosts of wild peacocks, have deserted; how delightful the waving creepers, which betray by their fallen blossoms the swinging of the wood-nymphs upon them; how pleasant the foot of the trees on the bank where the kalahaṃsas have left the line of their steps imprinted in the pollen of many a flower!” Drawn on thus by the ever-growing charms of the wood, I wandered with my companions. (279) And at a certain spot I smelt the fragrance of a flower strongly borne on the wind, overpowering that of all the rest, though the wood was in full blossom; it drew near, and by its great sweetness seemed to anoint, to delight, and to fill the sense of smell. Bees followed it, seeking to make it their own: it was truly a perfume unknown heretofore, and fit for the gods. I, too, eager to learn whence it came, with eyes turned into buds, and drawn on like a bee by that scent, and attracting to me the kalahaṃsas of the lake by the jangling of my anklets loudly clashed in the tremulous speed of my curiosity, advanced a few steps and beheld a graceful youthful ascetic coming down to bathe. He was like Spring doing penance in grief for Love made the fuel of Çiva’s fire, or the crescent on Çiva’s brow performing a vow to win a full orb, or Love restrained in his eagerness to conquer Çiva: by his great splendour he appeared to be girt by a cage of quivering lightning, embosomed in the globe of the summer sun, or encircled in the flames of a furnace: (280) by the brightness of his form, flashing forth ever more and more, yellow as lamplight, he made the grove a tawny gold; his locks were yellow and soft like an amulet dyed in gorocanā. The line of ashes on his brow made him like Ganges with the line of a fresh sandbank, as though it were a sandal-mark to win Sarasvatī,223 and played the part of a banner of holiness; his eyebrows were an arch rising high over the abode of men’s curses; his eyes were so long that he seemed to wear them as a chaplet; he shared with the deer the beauty of their glance; his nose was long and aquiline; the citron of his lower lip was rosy as with the glow of youth, which was refused an entrance to his heart; with his beardless cheek he was like a fresh lotus, the filaments of which have not yet been tossed by the bees in their sport; he was adorned with a sacrificial thread like the bent string of Love’s bow, or a filament from the lotus grove of the pool of penance; in one hand he bore a pitcher like a kesara fruit with its stalk; in the other a crystal rosary, strung as it were with the tears of Rati wailing in grief for Love’s death. (281) His loins were girt with a muñja-grass girdle, as though he had assumed a halo, having outvied the sun by his innate splendour; the office of vesture was performed by the bark of the heavenly coral-tree,224 bright as the pink eyelid of an old partridge, and washed in the waves of the heavenly Ganges; he was the ornament of ascetic life, the youthful grace of holiness, the delight of Sarasvatī, the chosen lord of all the sciences, and the meeting-place of all divine tradition. He had, like the summer season,225 his āshāḍha226; he had, like a winter wood, the brightness of opening millet, and he had like the month of honey, a face adorned with white tilaka.227 With him there was a youthful ascetic gathering flowers to worship the gods, his equal in age and a friend worthy of himself.