Note 63 — KĀDAMBARĪ.

‘On the left bank of that lake, and near a clump of palms broken by Rāma’s arrows, was a large old çālmalī tree.63 It shows as though it were enclosed in a large trench, because its roots are always encircled by an old snake, like the trunk of the elephants of the quarters; (49) it seems to be mantled with the slough of serpents, which hangs on its lofty trunk and waves in the wind; it strives to compass the measurement of the circle of space by its many boughs spreading through the firmament, and so to imitate Çiva, whose thousand arms are outstretched in his wild dance at the day of doom, and who wears the moon on his crest. Through its weight of years, it clings for support even to the shoulder of the wind; it is girt with creepers that cover its whole trunk, and stand out like the thick veins of old age. Thorns have gathered on its surface like the moles of old age; not even the thick clouds by which its foliage is bedewed can behold its top, when, after drinking the waters of ocean, they return from all sides to the sky, and pause for a moment, weary with their load of water, like birds amongst its boughs. From its great height, it seems to be on tiptoe to look64 at the glory of the Nandana65 Wood; its topmost branches are whitened by cotton, which men might mistake for foam dropped from the corners of their mouths by the sun’s steeds as, beset with weariness of their path through the sky, they come near it in their course overhead; (50) it has a root that will last for an aeon, for, with the garland of drunken bees sticking to the ichor which clings to it where the cheeks of woodland elephants are rubbed against it, it seems to be held motionless by iron chains; it seems alive with swarms of bees, flashing in and out of its hollow trunk. It beholds the alighting of the wings of birds, as Duryodhana receives proofs of Çakuni’s66 partizanship; like Kṛishṇa, it is encircled by a woodland chaplet;67 like a mass of fresh clouds its rising is seen in the sky. It is a temple whence woodland goddesses can look out upon the whole world. It is the king of the Daṇḍaka Wood, the leader of the lordly trees, the friend of the Vindhya Mountains, and it seems to embrace with the arms of its boughs the whole Vindhya Forest. There, on the edge of the boughs, in the centre of the crevices, amongst the twigs, in the joints of the trunks, in the holes of the rotten bark, flocks of parrots have taken their abode. From its spaciousness, they have confidently built in it their thousand nests; from its steepness, they have come to it fearlessly from every quarter. Though its leaves are thin with age, this lord of the forest still looks green with dense foliage, as they rest upon it day and night. (51) In it they spend the nights in their own nests, and daily, as they rise, they form lines in the sky; they show in heaven like Yamunā with her wide streams scattered by the tossing of Bala’s ploughshare in his passion; they suggest a lotus-bed of the heavenly Ganges flowing away, uprooted by the elephant of heaven; they show forth a sky streaked, as it were, with the brightness of the steeds of the sun’s chariot; they wear the semblance of a moving floor of emerald; they stretch out in the lake of heaven like long twines of Vallisneria; they fan the faces of the quarters wearied with the mass of the sun’s keen rays, with their wings spread against the sky like plantain leaves; they form a grassy path stretching through the heaven, and as they roam they grace the firmament with a rainbow. After their meal they return to the young birds which stay in the nest, and give them, from beaks pink as tiger’s claws reddened with the blood of slain deer, the juice of fruits and many a dainty morsel of rice-clusters, for by their deep love to their children all their other likings are subdued; (52) then they spend the night in this same tree with their young under their wings.