Note 135 — 1826.—JANUARY.

"The energy with which Sir Walter had set about turning his resources, both present and past, to immediate account, with a view to prove to his creditors, with as little delay as possible, that all that could depend upon himself should be put in operation to retrieve his affairs, made him often reluctant to quit his study however much he found himself exhausted. However, the employment served to occupy his mind, and prevent its brooding over the misfortune which had befallen him, and joined to the natural contentedness of his disposition prevented any approach of despondency. 'Here is an old effort of mine to compose a melo-drama' (showing me one day a bundle of papers which he had found in his repositories). 'This trifle would have been long ago destroyed had it not been for our poor friend Kinnedder, who arrested my hand as he thought it not bad, and for his sake it was kept. I have just read it over, and, do you know, with some satisfaction. Faith, I have known many worse things make their way very well in the world, so, God willing, it shall e'en see the light, if it can do aught in the hour of need to help the hand that fashioned it.' Upon asking the name of this production, he said, 'I suspect I must change it, having already forestalled it by the Fortunes of Nigel. I had called it the Fortunes of Devorgoil, but we must not begin to double up in that way, for if you leave anything hanging loose, you may be sure that some malicious devil will tug at it. I think I shall call it The Doom of Devorgoil. It will make a volume of itself, and I do not see why it should not come out by particular desire as a fourth volume to Woodstock. They have some sort of connection, and it would not be a difficult matter to bind the connection a little closer. As the market goes, I have no doubt of the Bibliopolist pronouncing it worth £1000, or £1500.' I asked him if he meant it for the stage. 'No, no; the stage is a sorry job, that course will not do for these hard days; besides, there is too much machinery in the piece for the stage.' I observed that I was not sure of that, for pageant and machinery was the order of the day, and had Shakespeare been of this date he might have been left to die a deer-stealer. 'Well, then, with all my heart, if they can get the beast to lead or to drive, they may bring it on the stage if they like. It is a sort of goblin tale, and so was the Castle Spectre, which had its run.' I asked him if the Castle Spectre had yielded Lewis much. 'Little of that, in fact to its author absolutely nothing, and yet its merits ought to have brought something handsome to poor Mat. But Sheridan, then manager, you know, generally paid jokes instead of cash, and the joke that poor Mat got was, after all, not a bad one. Have you heard it? Don't let me tell you a story you know.' As I had not heard it, he proceeded. 'Well, they were disputing about something, and Lewis had clenched his argument by proposing to lay a bet about it. I shall lay what you ought long ago to have paid me for my Castle, Spectre.' "No, no, Mat," said Sheridan, "I never lay large bets; but come, I will bet a trifle with you—I'll bet what the Castle Spectre was worth." Now Constable managed differently; he paid well and promptly, but devil take him, it was all spectral together. Moonshine and no merriment. He sowed my field with one hand, and as liberally scattered the tares with the other.'"—Mr. Skene's Reminiscences.