Note 31 — Chapter VIII · SUPPLEMENTARY MYTH

Iconography, again, is probably the source, for the gospels, of the myth of the Temptation, which professional scholars continue solemnly to discuss as a “biographical” episode to be somehow reduced to historicity. The story coincides so absolutely with the Græco-Roman account, evidently derived from painting or sculpture, of Pan (in figure the Satan of the Jews) standing by the young Jupiter on a mountain-top before an altar,31 that it might seem unnecessary to go further. But, recognizing that “of myth there is no ‘original,’ save man’s immemorial dream,” and remembering that there are similar Temptation myths concerning Buddha and Zarathustra, we are bound to extend the inquiry. The results are very interesting.