Note 98 — Chapter II · THE CENTRAL MYTH

It is the fourth gospel, finally, that introduces the “garment without seam,” combining a Hebraic with a pagan motive. In order to fulfil a “prophecy” held to be Messianic,98 the synoptics make the soldiers cast lots for the garments of Jesus. The fourth gospel specifies a simple allotment of the garments in general, as if they could have been numerous enough to go round the soldiery, but limits the act of “casting lots” to the chiton, the under garment. Thus the soldiers both “divide the raiment” and cast lots for the “vesture.” The making of this “without seam” is at once an assimilation of Jesus to the high-priest and an assimilation of the Slain God to the Sun-God and other deities.99 A special chiton was woven for Apollo in Sparta; as a peplos or shawl was woven for Hêrê at Elis. And this in turn had for the pre-Christian pagans mystic meanings as symbolizing the indivisible solar robe of universal light, ascribed to Osiris; the partless robe of Ahura Mazda; Pan’s coat of many colours, and yet other notions. Always the story is itemized in terms of myth, of ritual, of symbol, of doctrine, never in terms of real biography.