Note 59 — Chapter II · THE CENTRAL MYTH

What leaps to the eyes is that the gospel legend preserves two separated features of the festival of a Sacrificed Mock-King, which as incidents in the life of the Teacher are wholly incompatible, and which the biographical theory cannot reasonably explain—the acclaimed and welcomed Entry into Jerusalem and within a week the demand of the city multitude for the crucifixion. The Entry is an elaboration of several myth elements, but it contains the item of the acclaimed ride of the quasi-king, mounted on an ass (or two asses). If the biographical school would but consider historical probabilities, they would realize that the story as told cannot be historical, with or without the strange antithesis of the multitude’s speedy demand for the prophet’s death. Such a triumphal entry, for such a person as the gospel Jesus, could not spontaneously have taken place: it must have been planned; and, if arranged with such an effect as the record describes, it would have given Pilate very sufficient ground for intervention without waiting for a complaint from the priests. Taken as history, it is wholly irreconcilable with the “Crucify him” ascribed to a multitude whose support of Jesus had been affirmed the day before; and accordingly M. Loisy, accepting the Entry, rejects the latter episode. Strauss, hesitating to go, “as has latterly often been done,” the length of rejecting the Entry on the ass as wholly mythical, finds it very much so;59 and Brandt incidentally dismisses it as “under the strongest suspicion of being framed upon Old Testament motives from beginning to end.”60