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The History of Painting in Italy, Vol. 5 (of 6)

Note 24 — BOOK III. (continued 2)

Thomas Roscoe translation

See Crespi's analysis of the two pictures at the church of the Certosa, (p. 32,) one representing the Scourging of Christ, the other his Crown of Thorns, where the most beautiful art of disposing the light to produce the desired effect is remarkable; with an exquisite effect of perspective, and a degree of invention not to be surpassed in representing the suffering of our Redeemer.

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