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The History of Painting in Italy, Vol. 3 (of 6)

Note 63 — BOOK I. (continued 3)

Thomas Roscoe translation

To these the name of Francesco da Milano has recently been added, on the strength of an altarpiece, quite Titianesque, exhibited with his name in the parish church of Soligo, to which is added the date of 1540]—time may probably clear up the mystery of this.

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