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The History of Painting in Italy, Vol. 3 (of 6)

Note 38 — BOOK I. (continued 2)

Thomas Roscoe translation

To judge from some pictures at Bergamo, we might suppose him educated in the style of the fourteenth century; but he afterwards approached nearer to the modern, as we perceive at Padua, where he resembles Palma Vecchio; and this is sufficiently conspicuous also in Friuli, where we make mention of him at a more cultivated era.

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