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The History of Painting in Italy, Vol. 2 (of 6)

Note 90 — BOOK III. (continued 5)

Thomas Roscoe translation

Francesco Appiani, of Ancona, a scholar of Magatta, and not long since deceased, did not find a place in my former edition, but is fully entitled to one in this. He studied a considerable time in Rome, whilst Benefial, Trevisani, Conca, and Mancini, flourished there; and through the friendship of these masters (particularly of the latter), was enabled to form an agreeable style, of which he there left a specimen at S. Sisto Vecchio. It is the death of S. Domenico, painted in fresco, by order of Benedict XIII. who remunerated him with a gold medal. He went afterwards to Perugia, where he was presented with the freedom of the city, and continued his labours there with unabated ardour, until ninety years of age, an instance of vigour unexampled, except in the case of Titian. Perugia abounds with his paintings of all kinds, and his best works are to be found in the churches of S. Pietro de' Cassinensi, S. Thomas, and Monte Corona. He also decorated the church of S. Francis, and the vault of the cathedral, where he rivalled the freedom of style and composition of Carloni. Both he himself, and one of his pictures, placed in a church of Masaccio, are eulogised in the Antich. Picene (tom. xx. p. 159). He painted many pictures also for England.

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