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The History of Painting in Italy, Vol. 2 (of 6)

Note 88 — BOOK III. (continued 5)

Thomas Roscoe translation

This artist had painted one of the two laterals of the chapel, asserting that there was no artist living capable of painting a companion to it. Benefial painted one very superior, and represented in it an executioner with his eyes fixed on and deriding the picture of Muratori.

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