Note 65 — BOOK I.
Thomas Roscoe translation
Vasari is by no means so bitter against the Venetian school as it is wished to make him appear. In regard to these pictures he declares, "that they are universally admitted, with justice, to be the best which were produced among many excellent masters, at different times, in that place." They are, therefore, preferred by him to the whole of the Florentine and Siennese paintings there exhibited; and his opinion is authorized by that of P. della Valle, who frequently differs from him. If it could be proved from history, as it may be reasonably conjectured, that Antonio was a painter when he came from Venice, and did not commence his art at Florence, he would merit the reputation of being the greatest artist of that school known to us; as well as of having conferred some benefit upon that of Florence, from the Venetian school. But this point is very doubtful.