← Table of contents
The History of Painting in Italy, Vol. 1 (of 6)

Note 236 — BOOK I. (continued 5)

Thomas Roscoe translation

In his larger works (such as the altar-pieces at the Missionari and at the Monastero Nuovo,) it would appear that Conti aimed at approaching the style of Trevisani.

Explore with AITake your curiosity a little further.

Reading settings