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The History of Painting in Italy, Vol. 1 (of 6)

Note 117 — BOOK I. (continued 2)

Thomas Roscoe translation

Cellini, in his preface to his Treatise upon the art of working in gold, asserts that Maso himself copied from the designs of Pollaiuolo, which has been completely refuted by the Ab. Zani. Materiali, p. 40.

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