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The History of Painting in Italy, Vol. 1 (of 6)

Note 116 — BOOK I. (continued 2)

Thomas Roscoe translation

The direction given by the Ab. Zani for similar specimens is this: "The engravings of the Venetian school, generally speaking, are of a delicate, soft, and full design; the figures are large, few, and very beautiful in the extremities. Those of the Florentines are engraved in a stronger manner, and are less soft and round; sometimes even harsh; the figures are small, pretty numerous, with the extremities less highly finished." Materiali, p. 57.

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