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The History of Painting in Italy, Vol. 1 (of 6)

Note 3 — ABATE LUIGI LANZI.

Thomas Roscoe translation

For this fault, which the Greeks used to call Acribia, Pascoli has been sharply reproved. He has, in fact, informed us which among the several artists could boast a becoming and proportionate nose, which had it short or long, aquiline or snubbed, very sharp or very hollow. He most generally observes that such an artist was neither tall nor large of stature, neither handsome nor plain in his physiognomy; and who would have thought it worth his while to inquire about it? The sole utility that can possibly attend such inquiries is, the chance of detecting some impostor, who might attempt to palm upon us for a genuine portrait the likeness of some other individual. Engravings, however, are the best security against similar impositions.

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