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The History of Painting in Italy, Vol. 1 (of 6)

Note 18 — ABATE LUIGI LANZI.

Thomas Roscoe translation

We must recollect that "de pictore, sculptore, fusore, judicare nisi artifex non potest," (Plin. Jun. i. epist. 10); which must be understood of certain refinements of the art that may escape the eye of the most learned connoisseur. But have we any need of a painter to whisper in our ear whether the features of a figure are handsome or ugly, its colouring false or natural, whether it has harmony and expression, or whether its composition be in the Roman or Venetian taste? And where it is really expedient to have the opinion of an artist, which we therefore report as we have either read it or heard it, will that opinion have less authority in my pages than on his own tongue?

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