Note 24 — Chapter II
Reading edition
In case the point of Mendelssohn's joke should be missed by anyone, it must be remembered that the contralto singer in "Elijah" takes the parts of both the Angel and Jezebel, the Queen.
Reading edition
In case the point of Mendelssohn's joke should be missed by anyone, it must be remembered that the contralto singer in "Elijah" takes the parts of both the Angel and Jezebel, the Queen.