Note 18 — Chapter III · FIRST CONTACTS WITH THE ENEMY
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About the time he was entering Santo Tomas the Lyceum staged another poetic tourney, this time to celebrate the glory of Cervantes. Rizal was a competitor with an allegory called “The Council of the Gods,” in which he developed a critical exposition of Cervantes and his art, lucid, just, and competent; as remarkable a production as the imaginative part of his work. The awarding of the prizes in this competition resulted in a painful incident that took its place in the chain of fateful things now drawing him away. Mystery surrounds the facts and always will, but it appears that the competitors entered the lists with assumed names, and that Rizal won the first prize; but when he was discovered to be a Filipino the laurel was taken from him and bestowed upon a Spaniard.18 It was a slash in the old wound; not even in that domain of art, supposed to have shut doors upon the prejudices of nation and birth, was the Filipino to be allowed to forget his inferiority. His fellows at the Ateneo felt that he had been wronged, and knowledge of the general resentment took nothing from the ill will with which he was viewed by the governing class. In all lands it is the fate of the foreign colony to be swayed by puerile emotions; among these in the Spanish colony of Manila suspicion led all the rest.