Note 4 — Chapter XI

We had not long been seated in our quarters before a deputation of chiefs with their gansas and a large number of bubud4 jars entered, and offered us bubud to drink. Very soon our visitors began to dance for us to the sound of the gansa, their dance being different from that we had seen a few days before at Campote. As, however, the next day was one dance from morning to night, I shall not spend any more time upon this affair, except to say that, turn about being fair play, Cootes got up and gave such a representation as he was able of a pas seul. When he had done, our visitors started anew, and the gansas proving irresistible, Cootes and I joined in. The steps, poise of body, motion of the arms and hands are so marked and peculiar that a little observation and practice enabled us in a short time to produce at least a fair imitation; indeed, so successful were our efforts that we were informed we should be invited to dance on the morrow before the multitudes! This brought us up standing, and it was time anyway. So our chieftains took their leave, their bubud jars remaining in our charge. [76] These jars are worth more than a passing mention: the oldest ones come from China, and are held in such high esteem by the Ifugaos that they will part with them for neither love nor money. According to the experts, some of them are examples of the earliest known forms of Chinese porcelain, and are most highly prized by collectors and museums.5