Note 354 — Chapter VIII · THE INFLUENCE OF THEATRICAL MACHINERY AND DRAMATIC CONVENTIONS[354]

In addition to the works mentioned on pp. xvii and xx f., above, cf. Thirlwall, “On the Irony of Sophocles,”Philological Museum, II (1833), 483 ff.; Neckel, Das Ekkyklema (1890); Trautwein, De Prologorum Plautinorum Indole atque Natura (1890); Dörpfeld-Reisch, Das griechische Theater (1896), pp. 234 ff.; Bethe, Prolegomena zur Geschichte des Theaters im Alterthum (1896), pp. 100 ff.; Exon, “A New Theory of the Eccyclema,” Hermathena, XI (1901), 132 ff.; Leo, Der Monolog im Drama, ein Beitrag zur griechisch-römischen Poetik (1908); Polczyk, De Unitatibus et Loci et Temporis in Nova Comoedia Observatis (1909); Flickinger, “Dramatic Irony in Terence,” Classical Weekly, III (1910), 202 ff.; Arnold, The Soliloquies of Shakespeare (1911); Fensterbusch, Die Bühne des Aristophanes (1912), pp. 51 ff.; Harms, De Introitu Personarum in Euripidis et Novae Comoediae Fabulis (1914); and Rees, “The Function of the Πρόθυροv in the Production of Greek Plays,” Classical Philology, X (1915), 134 ff.