Note 308 — Chapter V · THE INFLUENCE OF PHYSICAL CONDITIONS[308]

In addition to the works mentioned on pp. xvii and xx f., above, and the bibliography listed on pp. 57-59, above, cf. Hense, Die Modificirung der Maske in der griechischen Tragödie² (1905); Dignan, The Idle Actor in Aeschylus (1905); Flickinger, “Scaenica,” Transactions of the American Philological Association, XL (1909), 109 ff.; Robert, Die Masken der neueren attischen Komödie (1911); Rees, “The Significance of the Parodoi in the Greek Theater,” American Journal of Philology, XXXII (1911), 377 ff., and “The Function of the Πρόθυρον in the Production of Greek Plays,” Classical Philology, X (1915), 117 ff.; Harms, De Introitu Personarum in Euripidis et Novae Comoediae Fabulis (1914); Mooney, The House-Door on the Ancient Stage (1914); and Rambo, “The Wing-Entrances in Roman Comedy,” Classical Philology, X (1915), 411 ff.