Note 242 — Chapter II · THE INFLUENCE OF CHORAL ORIGIN[242]
Reading edition
In addition to the works mentioned on pp. xvii and xx f., above, cf. Decharme, Euripides and the Spirit of His Dramas (1892), translated by Loeb (1906); Capps “The Chorus in the Later Greek Drama,” American Journal of Archaeology, X (1895), 287 ff.; Helmreich, Der Chor bei Sophokles und Euripides (1905); A. Körte, “Das Fortleben des Chors im gr. Drama,” N. Jahrb. f. d. kl. Altertum, V (1900), 81 ff.; Flickinger, “ΧΟΡΟΥ in Terence’s Heauton, The Shifting of Choral Rôles in Menander, and Agathon’s ἘΜΒΟΛΙΜΑ,” Classical Philology, VII (1912), 24 ff.; Stephenson, Some Aspects of the Dramatic Art of Aeschylus (1913); Fries, De Conexu Chori Personae cum Fabulae Actione (1913); and Duckett, Studies in Eunius (1915).