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The great masters of Russian literature in the nineteenth century

Note 51 — LYOF TOLSTOÏ.

Nathan Haskell Dole translation

M. Dupuy, in his condensation of the story, loses the perspective. Olénin taps lightly on the window. “He ran to the door, and actually heard Marianka’s deep sigh and her steps. He took hold of the latch, and shook it softly. Bare, cautious feet, scarcely making the boards creak, drew near the door. The latch was lifted: the door was pushed ajar. There was a breath of gourds and marjoram, and suddenly Marianka’s full form appeared on the threshold.” But the prospective interview is broken by the appearance of Lukashka’s friend Nazarka, who has to be bought off. The next day Olénin writes a letter, which, being more like a diary, he does not send, “because no one would understand what he meant to say.” In this letter occurs the passage which M. Dupuy quotes.—N. H. D.

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