Note 19 — Chapter VIII · Conclusion.

If the seemingly inevitable conclusion be accepted that The Grateful Dead is an organism with a life history of its own, the question at once suggests itself as to when and where it came into being. As to its ultimate origin, however, only a very imperfect answer can be given. Surmise and theory are all that can aid us here. Liebrecht was of the opinion that the story was of European rather than Oriental origin,19 even though he did not accept Simrock’s theory that it was Germanic. Notwithstanding the fact that most variants are European, this hypothesis seems to me very improbable. Tobit, the earliest variant which we possess,20 is distinctly Semitic in origin and colouring. Other versions from Asia, like Jewish, Armenian, and Siberian, though modern folk-tales, add weight to the evidence of the apocryphal story, especially since the one last named comes from a somewhat remote region where European narratives could not without difficulty have much direct influence. Of course it is possible to suppose that the theme came to the Semites from the West, and was by them disseminated in Asia;21 but the early date of Tobit renders it unlikely that such was the case. Certainly it is more reasonable from the evidence at hand to believe in the Oriental origin of the märchen. As to the particular region of Asia where it was probably first related, nothing can be said with security. Yet since there is no evidence that it has ever been known in India, Western Asia, and perhaps the region inhabited by the Semites, may be considered, at least tentatively, its first home.