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The Gallery of Portraits, with Memoirs. Volume 4 (of 7)

Note 3 — CORREGGIO.

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Impasto is literally an impasting or thick application of the colour. The peculiarity of Correggio’s method is, that this impasto is solid without roughness of surface, and blended without heaviness or opacity. Sir Joshua Reynolds says, “His (Correggio’s) colour and mode of finishing approach nearer to perfection than those of any other painter.”

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