Note 2 — INTRODUCTION.

Cicero regards the invention of alphabetic writing as an evidence of the celestial character of the soul; and many have ascribed its origin to the inspiration of the Deity. To resort to supernatural causes, to account for the production of any rare or striking event, is repugnant to the principles of true philosophy. And how wonderful soever the art of alphabetical writing may appear, there can be no necessity for referring its introduction to divine inspiration, if the inventive powers of man be not demonstrably unequal to the task. Picture-writing is generally believed to have been the earliest mode of recording events, or communicating information by permanent signs. This was probably succeeded by hieroglyphical characters. How these pictures and hieroglyphical devices would, either through negligence or a desire to abbreviate, gradually vary their form, and lose their resemblance to the objects which they represented, may be easily conceived. Hence that association, which existed between the sign and the thing signified, being founded in resemblance, would in process of time be entirely dissolved. This having taken place, hieroglyphical characters would naturally be converted into a mere verbal denotation, representative of words and not of things. Hence, as Goguet, in his work, “De l’Origine des Loix,” &c., reasonably conjectures, would arise by a partial and easy analysis, a syllabic mode of denotation, which would naturally introduce a literal alphabet. This conjecture must seem highly probable, when it is considered, that both a verbal and syllabic mode of notation are still practised by some Eastern nations.