Note 275 — Chapter VI
Elizabeth Lee translation
In these cases, Nash, or rather his hero (for Nash does not himself make use of this language which he in no way admired, but only puts it into the mouth of his self-confident good-for-nothing as the finishing touch to his portrait), adopts Lyly's style entirely, alliteration and all: "The sparrow for his lecherie liveth but a yeere, he for his trecherie was turned on the toe."