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The Elizabethan Stage, Vol. 3

Note 609 — BOOK V PLAYS AND PLAYWRIGHTS

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Pollard, Sh. F. 49, 51, speaks of Burby as ‘regaining the copyright’ by his publications, and as, moreover, saving his sixpences ‘as a license was only required for new books’. But surely there was no copyright, as neither Danter nor Burby paid for an entry. I take it that when, on 22 Jan. 1607, R. J. and L. L. L. were entered to Nicholas Ling, ‘by direccõn of a Court and with consent of Master Burby in wrytinge’, the entry of the transfer secured the copyright for the first time.

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