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The Elizabethan Stage, Vol. 1

Note 544 — V THE MASK

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Feuillerat, Eliz. 116, 'Cristmas ... canvas to couer diuers townes and howsses and other devisses and clowds for a maske and a showe and a play by the childerne of the chaple.... The xviijᵗʰ of Fabruarie ... provicions for a play maid by Sir Percivall Hartts sones with a mask of huntars and diuers devisses and a rocke, or hill for the ix musses to singe vppone with a vayne of sarsnett dravven vpp and downe before them.... Shroftid ... foure maskes too of them nott occupied nor sene with thare hole furniture which be verie fayr and riche of old stuf butt new garnished with frenge and tassells to seme new'; cf. De Silva to Philip of the revel after a tilt on 5 March (Sp. P. i. 404). It began after supper with 'a comedy in English of which I understood just as much as the Queen told me. The plot was founded on the question of marriage, discussed between Juno and Diana, Juno advocating marriage and Diana chastity. Jupiter gave a verdict in favour of matrimony, after many things had passed on both sides in defence of the respective arguments. The Queen turned to me and said, "This is all against me". After the comedy there was a masquerade of Satyrs, or wild gods, who danced with the ladies, and when this was finished there entered 10 parties of 12 gentlemen each, the same who fought in the foot tourney, and these, all armed as they were, danced with the ladies; a very novel ball, surely.'

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