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The Elizabethan Stage, Vol. 1

Note 418 — IV PAGEANTRY

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Many of the numbers in the song-books of the madrigalists and lutenists probably had their origin in entertainments. The Triumphs of Oriana (1601), for example, may have been written as a whole for a royal birthday or maying; cf. also examples in Fellowes, 121, 328, 434, 464, 485.

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