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The Divine Comedy of Dante Alighieri

Note 537 — CANTO XIX.

James Romanes Sibbald translation

St. John: The church of St. John’s, in Dante’s time, as now, the Baptistery of Florence. In Parad. xxv. he anticipates the day, if it should ever come, when he shall return to Florence, and in the church where he was baptized a Christian be crowned as a Poet. Down to the middle of the sixteenth century all baptisms, except in cases of urgent necessity, were celebrated in St. John’s; and, even there, only on the eves of Easter and Pentecost. For protection against the crowd, the officiating priests were provided with standing-places, circular cavities disposed around the great font. To these Dante compares the holes of this Bolgia, for the sake of introducing a defence of himself from a charge of sacrilege. Benvenuto tells that once when some boys were playing about the church one of them, to hide himself from his companions, squeezed himself into a baptizer’s standing-place, and made so tight a fit of it that he could not be rescued till Dante with his own hands plied a hammer upon the marble, and so saved the child from drowning. The presence of water in the cavity may be explained by the fact of the church’s being at that time lighted by an unglazed opening in the roof; and as baptisms were so infrequent the standing-places, situated as they were in the centre of the floor, may often have been partially flooded. It is easy to understand how bitterly Dante would resent a charge of irreverence connected with his ‘beautiful St. John’s;’ ‘that fair sheep-fold’ (Parad. xxv. 5).

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