Note 137 — Chapter VI

In this connection it may be interesting to note the regard for the deaf as has been indicated by the deaf characters that have been created in fiction. Though not a large number are found, there is displayed towards them an attitude largely of kindly sympathy, in some cases mingled with wonder. Such characters appear in Lew Wallace's "Prince of India", where three deaf-mutes are instructed to speak; Scott's Fanella in "Peveril of the Peak"; Dickens' Sophy in "Dr. Marigold" (an unusually attractive and lovable character); Collins' Madonna Mary in "Hide and Seek"; Caine's Naomi in "The Scapegoat"; Haggard's "She"; Maarten's "God's Fool"; de Musset's "Pierre and Camille"; and elsewhere. Thomas Holcroft's "Deaf and Dumb; or the Orphan Protected" is an adaptation from the French play "Abbé de l'Épée" of J. N. Bouilly, in 1802, in which the founder of the first school for the deaf and his pupils are touchingly portrayed. Feigned characters are also found, as Scott's mute in "The Talisman"; in Moliere's "Le Médecin malgré Lui"; Jonson's "Epicoene"; and John Poole's "Deaf as a Post". Defoe has a character, Duncan Campbell, which is possibly based on one from real life, being referred to by Addison in the Spectator and the Tatler. On the subject of the deaf in fiction, see Silent Worker, Dec., 1893; Annals, xxxix., 1894, p. 79; Indiana Bulletin of Charities and Corrections, June, 1897; Athenaeum, Feb., April, 1896.