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The Craft of Athenian Pottery

Note 33 — I. TECHNICAL PROCESSES IN THE MAKING OF MODERN POTTERY AND THEIR APPLICATION TO THE TECHNIQUE OF ANCIENT VASES

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This explanation is also that offered by Reichhold in Furtwängler u. Reichhold, Griechische Vasenmalerei, I, p. 153. It is to this same cause that I should be inclined to attribute Reichhold’s “Lagerringe,” round red spots or black spots surrounded by red rings (op. cit., p. 154). Supports such as he describes which came into direct contact with the glaze are inconceivable; the glaze would have stuck to them and serious injury resulted. Furthermore, Athenian vases must have been placed in the kiln standing on their feet, and for this purpose the under surfaces of the feet are left unglazed so as to prevent the glaze from sticking. If placed in the positions Reichhold suggests, the vases would have been apt to warp, and no potter would run such risks.

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