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The collected works of William Hazlitt, Vol. 01 (of 12)

Note 38 — THE ROUND TABLE (continued 2)

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Mr. Wordsworth, who has written a sonnet to the King on the good that he has done in the last fifty years, has made an attack on a set of gipsies for having done nothing in four and twenty hours. ‘The stars had gone their rounds, but they had not stirred from their place.’ And why should they, if they were comfortable where they were? We did not expect this turn from Mr. Wordsworth, whom we had considered as the prince of poetical idlers, and patron of the philosophy of indolence, who formerly insisted on our spending our time ‘in a wise passiveness.’ Mr. W. will excuse us if we are not converts to his recantation of his original doctrine; for he who changes his opinion loses his authority. We did not look for this Sunday-school philosophy from him. What had he himself been doing in these four and twenty hours? Had he been admiring a flower, or writing a sonnet? We hate the doctrine of utility, even in a philosopher, and much more in a poet: for the only real utility is that which leads to enjoyment, and the end is, in all cases, better than the means. A friend of ours from the North of England proposed to make Stonehenge of some use, by building houses with it. Mr. W.’s quarrel with the gipsies is an improvement on this extravagance, for the gipsies are the only living monuments of the first ages of society. They are an everlasting source of thought and reflection on the advantages and disadvantages of the progress of civilisation: they are a better answer to the cotton manufactories than Mr. W. has given in the Excursion. ‘They are a grotesque ornament to the civil order.’ We should be sorry to part with Mr. Wordsworth’s poetry, because it amuses and interests us: we should be still sorrier to part with the tents of our old friends, the Bohemian philosophers, because they amuse and interest us more. If any one goes a journey, the principal event in it is his meeting with a party of gipsies. The pleasantest trait in the character of Sir Roger de Coverley, is his interview with the gipsy fortune-teller. This is enough.

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