Note 466 — Chapter III · THE OLD AUTHORS.

The literary activity of the Jews in Italy is too great and of too wide an influence to be passed over altogether in silence. The following paragraphs, which, not to overload the text, I have relegated to the notes, are wholly the substance of communications made me by Dr. M. Steinschneider, of Berlin, to whom I [Dr. Ludwig Geiger] here take the opportunity of expressing my thanks for his constant and friendly help. He has given exhaustive evidence on the subject in his profound and instructive treatise, ‘Letteratura Italiana dei Giudei,’ in the review Il Buonarotti, vols. vi. viii. xi. xii.; Rome, 1871-77 (also printed separately); to which, once for all, I refer the reader.

There were many Jews living in Rome at the time of the Second Temple. They had so thoroughly adopted the language and civilisation prevailing in Italy, that even on their tombs they used not Hebrew, but Latin and Greek inscriptions (communicated by Garucci, see Steinschneider, Hebr. Bibliogr. vi. p. 102, 1863). In Lower Italy, especially, Greek learning survived during the Middle Ages among the inhabitants generally, and particularly among the Jews, of whom some are said to have taught at the University of Salerno, and to have rivalled the Christians in literary productiveness (comp. Steinschneider, ‘Donnolo,’ in Virchow’s Archiv, bd. 39, 40). This supremacy of Greek culture lasted till the Saracens conquered Lower Italy. But before this conquest the Jews of Middle Italy had been striving to equal or surpass their bretheren of the South. Jewish learning centred in Rome, and from there spread, as early as the sixteenth century, to Cordova, Kairowan, and South Germany. By means of these emigrants, Italian Judaism became the teacher of the whole race. Through its works, especially through the work Aruch of Nathan ben Jechiel (1101), a great dictionary to the Talmud, the Midraschim, and the Thargum, ‘which, though not informed by a genuine scientific spirit, offers so rich a store of matter and rests on such early authorities, that its treasures have even now not been wholly exhausted,’ it exercised indirectly a great influence (Abraham Geiger, Das Judenthum und seine Geschichte, Breslau, bd. ii. 1865, p. 170; and the same author’s Nachgelassene Schriften, bd. ii. Berlin, 1875, pp. 129 and 154). A little later, in the thirteenth century, the Jewish literature in Italy brought Jews and Christians into contact, and received through Frederick II., and still more perhaps through his son Manfred, a kind of official sanction. Of this contact we have evidence in the fact that an Italian, Niccolò di Giovinazzo, studied with a Jew, Moses ben Salomo, the Latin translation of the famous work of Maimonides, More Nebuchim; of this sanction, in the fact that the Emperor, who was distinguished for his freethinking as much as for his fondness for Oriental studies, probably was the cause of this Latin translation being made, and summoned the famous Anatoli from Provence into Italy, to translate works of Averroes into Hebrew (comp. Steinschneider, Hebr. Bibliogr. xv. 86, and Renan, L’Averroes et l’Averroisme, third edition, Paris, 1866, p. 290). These measures prove the acquaintance of early Jews with Latin, which rendered intercourse possible between them and Christians—an intercourse which bore sometimes a friendly and sometimes a polemical character. Still more than Anatoli, Hillel b. Samuel, in the latter half of the thirteenth century, devoted himself to Latin literature; he studied in Spain, returned to Italy, and here made many translations from Latin into Hebrew; among them of writings of Hippocrates in a Latin version. (This was printed 1647 by Gaiotius, and passed for his own.) In this translation he introduced a few Italian words by way of explanation, and thus perhaps, or by his whole literary procedure, laid himself open to the reproach of despising Jewish doctrines.

But the Jews went further than this. At the end of the thirteenth and in the fourteenth centuries, they drew so near to Christian science and to the representatives of the culture of the Renaissance, that one of them, Giuda Romano, in a series of hitherto unprinted writings, laboured zealously at the scholastic philosophy, and in one treatise used Italian words to explain Hebrew expressions. He is one of the first to do so (Steinschneider, Giuda Romano, Rome, 1870). Another, Giuda’s cousin Manoello, a friend of Dante, wrote in imitation of him a sort of Divine Comedy in Hebrew, in which he extols Dante, whose death he also bewailed in an Italian sonnet (Abraham Geiger, Jüd. Zeitsch. v. 286-331, Breslau, 1867). A third, Mose Riete, born towards the end of the century, wrote works in Italian (a specimen in the Catalogue of Hebrew MSS., Leyden, 1858). In the fifteenth century we can clearly recognise the influence of the Renaissance in Messer Leon, a Jewish writer, who, in his Rhetoric, uses Quintilian and Cicero, as well as Jewish authorities. One of the most famous Jewish writers in Italy in the fifteenth century was Eliah del Medigo, a philosopher who taught publicly as a Jew in Padua and Florence, and was once chosen by the Venetian Senate as arbitrator in a philosophical dispute (Abr. Geiger, Nachgelassene Schriften, Berlin, 1876, bd. iii. 3). Eliah del Medigo was the teacher of Pico della Mirandola; besides him, Jochanan Alemanno (comp. Steinschneider, Polem. u. Apolog. Lit. Lpzg. 1877, anh. 7, § 25). The list of learned Jews in Italy may be closed by Kalonymos ben David and Abraham de Balmes (d. 1523), to whom the greater part of the translations of Averroes from Hebrew into Latin is due, which were still publicly read at Padua in the seventeenth century. To this scholar may be added the Jewish Aldus, Gerson Soncino, who not only made his press the centre of Jewish printing, but, by publishing Greek works, trespassed on the ground of the great Aldus himself (Steinschneider, Gerson Soncino und Aldus Manutius, Berlin, 1858).