Note 50 — Chapter VI · THE FAILURE OF THEISTIC ARGUMENTS

Are our emotions reliable guides, or are they not? Though the motive-power in our nature, though they go to make up that heart upon which Mr. Fielding so eloquently discourses in his Hearts of Men, do they not need to be carefully controlled by reason? Are they not the very same emotions which, in all but religious matters, are admittedly a fruitful source of self-deception? Take the emotion excited by music. I know many good people who think they possess considerable religious feeling, and have had a religious experience, because they are peculiarly affected by music, and especially by fine sacred music.50 Similarly, Dr. Torrey’s “Glory Song” appeals to the untrained ear of his emotional audiences, and the Salvation band, all out of tune, elevates the soul of the Salvationist. Yet lower down the scale of musical culture we find a clash of discordant sounds exciting the religious emotions of the savage. Is it too much to say that these “experiences” differ only in degree from those of the dog who howls as certain notes affect him? Granted that music, suited to the taste of the worshipper, is an aid to worship, we have to remember that there are those whose temperaments are so constituted that they are more or less unaffected by music—good, bad, or indifferent—and, if the religious feeling evoked be from God, may we not ask in all reverence: “Why should the unmusical be debarred from this means of feeling His presence? Why should the man without a note of music in his composition have this much less chance of eternal salvation?” Surely we are not to take seriously and literally the words of our great philosopher-poet when he says: “Let no such man be trusted”?