Note 27 — VI THE SELF-OFFERING OF THE MESSIAH. THE SUPPER

That here we have to do with a sun symbol is easily recognised wherever the simple, equally-armed cross appears duplicated with an oblique cross having the same point of intersection with it, , or where it has the shape of a perpendicular which is cut symmetrically by two other lines crossing one another, . And as a matter of fact this symbol of a sun shedding its rays is found upon numberless coins and illustrations, in which it is obvious that a reference to the sun is intended—e.g., upon the coins of the Egyptian Ptolemies, of the city Gods of Rome, of Augustus and the Flavian Cæsars. Here the Sun sign appears to have been adopted as a consequence of the fusing of the Sun Cult of later antiquity with the cult of the Emperor. Much more frequent, however, is the simple Tau, sometimes, indeed, in a shape with equal limbs (Greek cross), +, sometimes with the upright below lengthened (Latin cross), ✝, sometimes upright, sometimes oblique (St. Andrew’s cross), ×, sometimes, again, like the Greek letter Tau, Τ, sometimes in the shape of the so-called mirror of Venus, ♀, in which the ring plainly refers to the sun, sometimes in that of the Svastika, or hooked cross, , sometimes with, sometimes without a circle, and so on. A form made up of the oblique and the ring cross of the Egyptians (so-called Key of the Nile) is the cross known under the description of the “Monogram of Christ,” ☧. According to the legend it was first employed by Constantine on account of his “vision”; and ecclesiastical writers, especially on the Catholic side, try even to-day to support this view, in spite of all facts. For this form of the cross also is clearly of pre-Christian origin, and had its prototype in the ancient Bactrian Labarum cross, as is found, for example, upon the coins of the Bactrian king Hippostratos (about 130 B.C.), of the Egyptian Ptolemies, of Mithridates, upon Attic Tetradrachma, &c.27