Editorial note — Chapter I · GREAT PAINTERS: RAPHAEL

[Footnote 1: As pointed out by Grimm in his "Life of Michelangelo" the patrons of the Renaissance painters at the beginning of that period, and indeed until after the climax of its development had been reached, were either of the middle class or consisted of the religious orders and ecclesiastical authorities intent on the decoration of churches. The town folk ordered pictures for their homes or for the decoration of churches. The artist was a craftsman, like the goldsmith or any other. When artists became the favorites of princes and kings and rulers, when they came to occupy positions at courts, it was not long before decadence began. Lives at court were not calculated to bring out what was best nor to encourage profound thinking nor provide the leisure which is necessary for great art, and truth lost its attraction in jealous rivalry and the desire to please a patron.]