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The Catholic World, Vol. 08, October, 1868, to March, 1869

Editorial note — The Iliad Of Homer.

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It will be observed, in reading these exquisite lines, how complex is the web of thought; how the artist, as it were, lingers to work into it embroidery of words and images borrowed from foreign objects. In Homer there is nothing but the natural artless flow of feeling; the even movement, as it springs from the soul, is not crossed by shadow or image from any other object, nor does it diverge this way or that to borrow of other sources in metaphor or comparison, tone, color, or pathos. The movement in Homer is natural, direct, even, rapid; and yet this natural, simple, deep gush of feeling presents to us a most truthful, touching, and expressive picture of a soul overwhelmed with tender love and sorrow commingled, but facing the stern task of duty.]

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