Editorial note — MISSAL-PAINTING. [Footnote 64]

[Footnote 75: Or rather a continuation of one, the first part of it, from 1066 to 1235, is attributed to Roger of Wendover, who was in the same monastery. William of Rishanger continued it to the year 1273, from the point where Matthew Paris leaves off (1259), but the whole is frequently quoted as by Matthew Paris. The probabilities are greater in favor of his being an Englishman than the contrary. His works were admired by the early Reformers, for the bold and vigorous manner in which he wrote upon ecclesiastical affairs.]