Editorial note — From The Dublin University Magazine. MIGUEL DE CERVANTES Y SAAVEDRA.

[Footnote 17: Between the days of Lope de Rueda and those of Cervantes' debut, Naharra of Toledo had made considerable improvement in the mechanics of the art. The sack was rejected, and chests and trunks held the properties. The musicians came from behind their blanket, and faced their customers. He rejected the beards except in the case of disguisements, and invented or adopted thunder, lightning, clouds, challenges, and fights. He himself was a capital personator of cowardly bullies.]