Note 123 — Chapter IV · ToC
Reading edition
Having emphasized this point so repeatedly, the writer feels it just to himself to state his own position, lest he be thought a kind of materialist, or at least an enemy of mysticism. Not so. Instead, he has long been an humble student of the great mystics; they are his best friends—as witness his two little books, The Eternal Christ, and What Have the Saints to Teach Us? But mysticism is one thing, and mystification is another, and the former may be stated in this way:
First, by mysticism—only another word for spirituality—is meant our sense of an Unseen World, of our citizenship in it, of God and the soul, and of all the forms of life and beauty as symbols of things higher than themselves. That is to say, if a man has any religion at all that is not mere theory or form, he is a mystic; the difference between him and Plato or St. Francis being only a matter of genius and spiritual culture—between a boy whistling a tune and Beethoven writing music.
Second, since mysticism is native to the soul of man and the common experience of all who rise above the animal, it is not an exclusive possession of any set of adepts to be held as a secret. Any man who bows in prayer, or lifts his thought heavenward, is an initiate into the eternal mysticism which is the strength and solace of human life.
Third, the old time Masons were religious men, and as such sharers in this great human experience of divine things, and did not need to go to Hidden Teachers to learn mysticism. They lived and worked in the light of it. It shone in their symbols, as it does in all symbols that have any meaning or beauty. It is, indeed, the soul of symbolism, every emblem being an effort to express a reality too great for words.
So, then, Masonry is mystical as music is mystical—like poetry, and love, and faith, and prayer, and all else that makes it worth our time to live; but its mysticism is sweet, sane, and natural, far from fantastic, and in nowise eerie, unreal, or unbalanced. Of course these words fail to describe it, as all words must, and it is therefore that Masonry uses parables, pictures, and symbols.