Note 104 — Chapter III · ToC

When, for example, Albert Pike, in his letter, "Touching Masonic Symbolism," speaks of the "poor, rude, unlettered, uncultivated working Stone-masons," who attended the Assemblies, he is obviously confounding Free-masons with the rough Stone-masons of the Guilds. Over against these words, read a brilliant article in the Contemporary Review, October, 1913, by L.M. Phillips, entitled, "The Two Ways of Building," showing how the Free-masons, instead of working under architects outside the order, chose the finer minds among them as leaders and created the different styles of architecture in Europe. "Such," he adds, "was the high limit of talent and intelligence which the creative spirit fostered among workmen.... The entire body being trained and educated in the same principles and ideas, the most backward and inefficient, as they worked at the vaults which their own skillful brethren had planned, might feel the glow of satisfaction arising from the conscious realization of their own aspirations. Thus the whole body of constructive knowledge maintained its unity.... Thus it was by free associations of workmen training their own leaders that the great Gothic edifices of the medieval ages were constructed.... A style so imaginative and so spiritual might almost be the dream of a poet or the vision of a saint. Really it is the creation of the sweat and labor of workingmen, and every iota of the boldness, dexterity and knowledge which it embodies was drawn out of the practical experience and experiments of manual labor." This describes the Comacine Masters, but not the poor, rude, unlettered Stone-masons whom Pike had in mind.