Note 246 — Chapter II · RHYTHM AS THE ESSENTIAL FACT OF POETRY (continued 2)

A strong support for this social foundation of song is found in observations such as Böckel has made among the peasants of Hesse. “Their song,” he says (work quoted, p. cv.), “is nearly all choral; the countryman, when sober, seldom sings alone. It is remarkable,” Böckel goes on to say, “how these people, who singly show little capacity for music, can make such an artistic effect in chorus.”