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The Atlantic Monthly, Volume 15, No. 87, January, 1865

Note C — GEORGE CRUIKSHANK IN MEXICO.

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Aquatint engraving in England is all but a dead art. It is now employed only in portraits of race-horses, which are never sold uncolored, and in plates of the fashions. The present writer had the honor, twelve years since, of producing the last "great" work (so far as size was concerned) undertaken in England. It was a monster panorama, some sixty feet long, representing the funeral procession of the Duke of Wellington. It was published by the well-known house of Ackermann, in the Strand; and the writer regrets to say that the house went bankrupt very shortly afterwards.

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