Notes to The art of music, Vol. 06 (of 14) — Reading edition
112 notes · Reading edition
CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 1CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 2CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 3CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 4CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 5CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 6CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 7CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 8CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 9CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 10CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 11CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 12CHAPTER I MUSIC OF THE EARLY AND MEDIÆVAL CHURCH AND EARLY SECULAR MUSIC · Note 13CHAPTER II THE POLYPHONIC PERIOD · Note 1CHAPTER II THE POLYPHONIC PERIOD · Note 2CHAPTER II THE POLYPHONIC PERIOD · Note 3CHAPTER II THE POLYPHONIC PERIOD · Note 4CHAPTER II THE POLYPHONIC PERIOD · Note 5CHAPTER II THE POLYPHONIC PERIOD · Note 6CHAPTER II THE POLYPHONIC PERIOD · Note 7CHAPTER II THE POLYPHONIC PERIOD · Note 8CHAPTER II THE POLYPHONIC PERIOD · Note 9CHAPTER II THE POLYPHONIC PERIOD · Note 10CHAPTER II THE POLYPHONIC PERIOD · Note 11CHAPTER II THE POLYPHONIC PERIOD · Note 12CHAPTER II THE POLYPHONIC PERIOD · Note 13CHAPTER II THE POLYPHONIC PERIOD · Note 14CHAPTER II THE POLYPHONIC PERIOD · Note 15CHAPTER II THE POLYPHONIC PERIOD · Note 16CHAPTER II THE POLYPHONIC PERIOD · Note 17CHAPTER II THE POLYPHONIC PERIOD · Note 18CHAPTER II THE POLYPHONIC PERIOD · Note 19CHAPTER II THE POLYPHONIC PERIOD · Note 20CHAPTER II THE POLYPHONIC PERIOD · Note 21CHAPTER II THE POLYPHONIC PERIOD · Note 22CHAPTER II THE POLYPHONIC PERIOD · Note 23CHAPTER II THE POLYPHONIC PERIOD · Note 24CHAPTER II THE POLYPHONIC PERIOD · Note 25CHAPTER II THE POLYPHONIC PERIOD · Note 26CHAPTER II THE POLYPHONIC PERIOD · Note 27CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 1CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 2CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 3CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 4CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 5CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 6CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 7CHAPTER III THE FIRST CENTURY OF PROTESTANT CHURCH MUSIC · Note 8CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 1CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 2CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 3CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 4CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 5CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 6CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 7CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 8CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 9CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 10CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 11CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 12CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 13CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 14CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 15CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 16CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 17CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 18CHAPTER IV THE EARLY ITALIAN SECULAR CANTATA, THE GERMAN CLASSICAL CANTATA, THE ENGLISH ANTHEM, AND OTHER SHORT CHORAL FORMS · Note 19CHAPTER V THE CANTATA IN THE NINETEENTH CENTURY · Note 1CHAPTER V THE CANTATA IN THE NINETEENTH CENTURY · Note 2CHAPTER V THE CANTATA IN THE NINETEENTH CENTURY · Note 3CHAPTER VI THE MODERN CANTATA · Note 1CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 1CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 2CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 3CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 4CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 5CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 6CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 7CHAPTER VII EARLY AND CLASSICAL ORATORIOS · Note 8CHAPTER VIII THE ORATORIO FROM BEETHOVEN TO BRAHMS · Note 1CHAPTER X THE MODERN MASS · Note 1CHAPTER X THE MODERN MASS · Note 2CHAPTER X THE MODERN MASS · Note 3CHAPTER XI CONTEMPORANEOUS CHORAL MUSIC IN GERMANY · Note 1CHAPTER XI CONTEMPORANEOUS CHORAL MUSIC IN GERMANY · Note 2CHAPTER XI CONTEMPORANEOUS CHORAL MUSIC IN GERMANY · Note 3CHAPTER XI CONTEMPORANEOUS CHORAL MUSIC IN GERMANY · Note 4CHAPTER XII CONTEMPORANEOUS CHORAL MUSIC IN ENGLAND AND AMERICA · Note 1CHAPTER XII CONTEMPORANEOUS CHORAL MUSIC IN ENGLAND AND AMERICA · Note 2CHAPTER XIII CONTEMPORARY CHORAL MUSIC IN FRANCE, ITALY, RUSSIA AND ELSEWHERE · Note 1CHAPTER XIII CONTEMPORARY CHORAL MUSIC IN FRANCE, ITALY, RUSSIA AND ELSEWHERE · Note 2CHAPTER XIV THE ORGAN FROM THE EARLIEST TIMES TO THE PRESENT · Note 1CHAPTER XIV THE ORGAN FROM THE EARLIEST TIMES TO THE PRESENT · Note 2CHAPTER XIV THE ORGAN FROM THE EARLIEST TIMES TO THE PRESENT · Note 3CHAPTER XIV THE ORGAN FROM THE EARLIEST TIMES TO THE PRESENT · Note 4CHAPTER XV THE EARLY ORGAN MASTERS · Note 1CHAPTER XV THE EARLY ORGAN MASTERS · Note 2CHAPTER XV THE EARLY ORGAN MASTERS · Note 3CHAPTER XV THE EARLY ORGAN MASTERS · Note 4CHAPTER XV THE EARLY ORGAN MASTERS · Note 5CHAPTER XV THE EARLY ORGAN MASTERS · Note 6CHAPTER XV THE EARLY ORGAN MASTERS · Note 7CHAPTER XV THE EARLY ORGAN MASTERS · Note 8CHAPTER XV THE EARLY ORGAN MASTERS · Note 9CHAPTER XV THE EARLY ORGAN MASTERS · Note 10CHAPTER XV THE EARLY ORGAN MASTERS · Note 11CHAPTER XV THE EARLY ORGAN MASTERS · Note 12CHAPTER XV THE EARLY ORGAN MASTERS · Note 13CHAPTER XV THE EARLY ORGAN MASTERS · Note 14CHAPTER XV THE EARLY ORGAN MASTERS · Note 15CHAPTER XVI ORGAN MUSIC AFTER BACH AND HANDEL · Note 1CHAPTER XVI ORGAN MUSIC AFTER BACH AND HANDEL · Note 2